| Quentin
Williams |
23
October - 22 November 2008 |
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| Quentin
Williams was born and has lived all his life in Bristol. He was trained
in drawing and painting at the Royal West of England Academy. Not effectively
diverted by any 'ground-breaking' isms, he has confirmed in the objective
realist tradition. He draws and paints directly, or indirectly, from actuality
in pencil, monochrome wash, oils and very occasionally gouache or watercolour.
He has worked abroad and exhibited nationally and internationally.
Quentin
Williams is also an art-historian and theorist, having published articles
in The British Journal of Aesthetics, Leonardo, Art Review, etc.,
contributed to Philip Steadman's 'Vermeer's Camera' and contrived
the axiom explaining the distorted perspective in Carel Fabritius' "The
Music Dealer". His main interest is in 17th Century Dutch painting
and in several individual European and American painters. First exhibition
with David Simon Gallery 2008. |
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A
Towering Breaker, oil on canvas |
70
x 92cm |
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Palettes
and Fan, oil on panel |
Snappers
and Knives, oil on panel |
Binocularia,
oil |
76
x 102cm |
49
x 58cm |
42
x 52cm |
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Beach
at Arcachon, oil on panel |
Beach
at La Ciotat, oil on panel |
Rhossili
Off-Season, oil on panel |
71
x 86cm |
39
x 46cm |
36
x 46cm |
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| Before
the Spy House, oil on panel |
The
Holy City (Clifton), oil on panel |
Ruins
at Kingsdown, oil on panel |
74
x 61cm |
66
x 71cm |
55
x 45cm |
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| Glove
and Fish, oil on canvas |
The
Chinese Hat, oil on panel |
Alarm
and Reproach, oil on canvas |
| 59
x 59cm |
36
x 46cm |
41
x 41cm |
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An
Odalisque, oil on panel |
Rhiannon
Asleep, oil on panel |
The
Missing Sink, oil |
82
x 57cm |
52
x 10cm |
123 x 100cm |
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Still
Life with Modigliani, oil on canvas |
Yellowknife
River Falls, oil on panel |
Wok
and Slingbacks, oil |
69
x 68cm |
126
x 113cm |
40
x 50cm |
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Back
View of Faye, oil on panel |
The
Duchess of Bleakins, oil on panel |
61
x 51cm |
36
x 46cm |
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| Prices:
£300.00 - £5500.00 |
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| Quentin
Williams is one of the generation of students from the West of England
College of Arts
in the late 1940s and early 1950s, who emerged with a great love of drawing
and its role in the
craft of painting. He is a quite exceptional draughtsman and this talent
gives shape, form and
structure to all his work.
This
exhibition affords a rare opportunity to see a body of his work taken
from the traditional
subjects; the life figure, still-life and landscape. To each of these
he brings a strength and power
which is uniquely his own.
The
paintings make considerable demands on the viewer as they are not produced
casually but
thoughtfully, are critically observed and executed with great attention
to detail - nothing is left to
chance.
Do
enjoy this special exhibition of recent work by my good friend and colleague.
Neil Murison R.W.A.
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