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Quentin Williams
23 October - 22 November 2008
 

Quentin Williams was born and has lived all his life in Bristol. He was trained in drawing and painting at the Royal West of England Academy. Not effectively diverted by any 'ground-breaking' isms, he has confirmed in the objective realist tradition. He draws and paints directly, or indirectly, from actuality in pencil, monochrome wash, oils and very occasionally gouache or watercolour. He has worked abroad and exhibited nationally and internationally.

Quentin Williams is also an art-historian and theorist, having published articles in The British Journal of Aesthetics, Leonardo, Art Review, etc., contributed to Philip Steadman's 'Vermeer's Camera' and contrived the axiom explaining the distorted perspective in Carel Fabritius' "The Music Dealer". His main interest is in 17th Century Dutch painting and in several individual European and American painters. First exhibition with David Simon Gallery 2008.

A Towering Breaker, oil on canvas
70 x 92cm
 
Palettes and Fan, oil on panel
Snappers and Knives, oil on panel
Binocularia, oil
76 x 102cm
49 x 58cm
42 x 52cm
Beach at Arcachon, oil on panel
Beach at La Ciotat, oil on panel
Rhossili Off-Season, oil on panel
71 x 86cm
39 x 46cm
36 x 46cm
Before the Spy House, oil on panel
The Holy City (Clifton), oil on panel
Ruins at Kingsdown, oil on panel
74 x 61cm
66 x 71cm
55 x 45cm
Glove and Fish, oil on canvas
The Chinese Hat, oil on panel
Alarm and Reproach, oil on canvas
59 x 59cm
36 x 46cm
41 x 41cm
An Odalisque, oil on panel
Rhiannon Asleep, oil on panel
The Missing Sink, oil
82 x 57cm
52 x 10cm
123 x 100cm
Still Life with Modigliani, oil on canvas
Yellowknife River Falls, oil on panel
Wok and Slingbacks, oil
69 x 68cm
126 x 113cm
40 x 50cm
Back View of Faye, oil on panel
The Duchess of Bleakins, oil on panel
61 x 51cm
36 x 46cm
Prices: £300.00 - £5500.00
Quentin Williams is one of the generation of students from the West of England College of Arts
in the late 1940s and early 1950s, who emerged with a great love of drawing and its role in the
craft of painting. He is a quite exceptional draughtsman and this talent gives shape, form and
structure to all his work.

This exhibition affords a rare opportunity to see a body of his work taken from the traditional
subjects; the life figure, still-life and landscape. To each of these he brings a strength and power
which is uniquely his own.

The paintings make considerable demands on the viewer as they are not produced casually but
thoughtfully, are critically observed and executed with great attention to detail - nothing is left to
chance.

Do enjoy this special exhibition of recent work by my good friend and colleague.
Neil Murison R.W.A.

     
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